I'm really compelled by the clothing in your images. In some of the earlier photographs, there are so many great tweeds, leopard prints, and thick sweaters. What draws your eye?

A lot of the pictures are of old guys in overcoats. It's not really about fashion, it's more of a story: this guy's on the edge of things, he's like 75 and he's out in this alley in Wilkes-Barre or he's walking on the street and I just take a picture of the buttons that are on his coat or his hand in his pocket. They're not pictures about fashion, they're about bundling -- about protection. They're guys on the edge of their lives in a certain way, and those images are sprinkled throughout the book. There's an autobiographical thread to Frame that's very hard to explain even to myself. But it's about life, your work is really about your life in some ways. That's what happens with these old guys. Everyone sees themselves going through time.